朱自清名作《春》,既抒写了对春的赞颂之情,又完整地写下了春的六个节气,可谓艺术性与科学性高度统一。但是,不少评《春》文章,一般只剖析“春”的横断面,忽略了从纵线上去细观详察,把《春》划为“盼”“绘”“赞”三块;又把“绘春”切为“总”“分”两截,从而支离了颂春的思想脉络,割断了扣时序的变换的节令线。 Zhu Ziqing’s masterpiece “Spring” not only scribbled the praise of spring, but also completely wrote down the six solar terms of the spring, which can be described as a highly unified artistic and scientific nature. However, many reviews of “Spring” articles generally only analyze the cross section of “Chun”, ignoring detailed observations from the vertical line, and classifying “Spring” as “Pan”, “Painting” and “Zan”; The “painting spring” was cut into two parts of “total” and “sub-section,” thereby detaching the ideological context of Chungchun and cutting the changing order of the deduction time.