六、层迭式层迭式结构,顾名思义,在结构上是一层迭一层的意思.如果从逻辑的“限制”角度去理解,一般是从外延最大处入手,一直写到外延最小处搁笔,故有人把层迭式又形象地称之为“宝塔式”.有没有“反宝塔式”呢?如果也从外延上去分析,有人可以从宝塔尖谈起,提出问题作为引子,但全文铺开后一般仍要从宝塔底部说开去,因此,完全的“反宝塔式”属罕见之列.然而,如果从内涵上去分析,因为内涵与外延存在反比关系,外延大则内涵少,外延小则内涵多,那么就会出现“反宝塔式”.拿鲁迅先生的《“丧家的”“资本家的乏走狗”》一文来说(高语三册).鲁迅先生首先点明 Sixth, the lamination type structure, as the name suggests, in the structure is a layer of layers of meaning. If the logic from the “restricted” perspective to understand, generally start from the point of extension, has been written to the minimum extension Pen puts a pen at the office, so some people call it “pago pagoda” in a layered style. Is there an “anti-pagoda style”? If it is also analyzed from the extension, someone can talk about it from the pagoda and ask questions. As an introduction, but after the full text is laid out, it is still generally said from the bottom of the pagoda. Therefore, the complete “anti-pagoda style” is rare. However, if it is analyzed from the connotation, there is an inverse relationship between connotation and extension. If the extension is large, the connotation is small, and when the extension is small, the connotation is large, then the “anti-pago pagoda style” will appear. Take Mr. Lu Xun’s book “The Lost Dog of the Capitalist” and “The Lost Dog of the Capitalist.” Three volumes). Mr. Lu Xun first point out