王张江姚“四人帮”出于篡党夺权的罪恶目的,疯狂反对毛主席革命文艺路线,篡改革命文艺的历史,否定我国无产阶级文艺的革命传统。他们为了把资产阶级阴谋家、野心家江青打扮成为“文艺革命的英勇旗手”,竟公然把无产阶级文艺从《国际歌》以后到京剧革命以前的历史,胡说成似乎是一段“空白”。秧歌剧和许许多多革命文艺作品的存在,就是对“四人帮”的无耻谰言的有力批判。秧歌剧是毛主席文艺思想的产儿,是在《讲话》的光辉照耀下诞生的。在延安 For his evil purpose of usurping party and state power, Wang Yao, the “gang of four,” frenziedly opposed Chairman Mao’s revolutionary line of literature and art, tampered with the history of revolutionary literature and art, and denied the revolutionary tradition of our country’s proletarian literature and art. In order to dress up Jiang Qing, the bourgeois conspirator and ambassador, into a “brave bannerman of the literary revolution,” they flagrantly blasted the proletarian literature and art as a “blank space” after the “international song” and before the Beijing Opera Revolution. The existence of Yangko and many revolutionary works of art is a powerful critic of the shameless precepts of the “gang of four.” Yangko is the birth of Chairman Mao’s literary thought and was born under the brilliant shining of “speech.” In Yan’an