真正的戏剧大师,通常要远离舞台才容易找到。他们大都对那种把戏剧当做机器来复制传统、再造老套的做法毫无兴趣。他们所寻觅的是不停地脉动着的灵感之源——是流动着的活水,它能够绕过演出大厅,绕过那些埋头拷贝这样或那样的世界的人们。我们不去创造世界,而只是去拷贝那些聚焦于、甚至是依赖于与观众进行争论的各种世界,聚焦于在表面下膨胀的情感。而实际上,没有什么能比戏剧更能展现隐藏的热情。我通常求助于散文以获得启迪。日复一 The real theater master, usually far from the stage was easy to find. Mostly, they are not interested in the way that theater is used as a machine to reproduce traditions and rebuild stereotypes. What they are looking for is constantly pulsing the source of inspiration - the flowing living water that can bypass the performance hall and bypass those who are dying to copy one or the other of the world. Instead of creating the world, we are only going to copy the worlds that focus on, or even rely on, arguments with the audience, focusing on the inflated emotions beneath the surface. In fact, there is nothing more to show hidden enthusiasm than drama. I usually turn to essays for inspiration. Day by day