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潘天寿不仅是近代中国的画坛巨匠,同时也是杰出的美术理论家和教育家。作为画家,在二十世纪中西方文化剧烈碰撞的浪潮中,潘天寿始终站在弘扬民族精神的立场上,以“我不入地狱谁入地狱”的献身精神对中国画内部变革进行了探索,由此形成了他艺术理论的精华——“特色论”。作为美术教育家,他在坚持和捍卫民族绘画的前提下,为国画教学找到了一条可持续发展的道路,创造性地实现了传统美术教育向现代美术教育的转型。本文结合潘天寿一生中不同阶段的艺术活动,试图对他“特色论”的形成和发展过程进行一番探寻,并指出其艺术思想对其美术教育的影响。
Pan Tianshou is not only the masters of modern Chinese painting, but also an outstanding art theorist and educator. As an artist, in the tidal wave of violent collision between Chinese and Western cultures in the 20th century, Pan Tianshou always stood on the stage of carrying forward the national spirit and explored the internal transformation of Chinese painting with the dedication of “I am not in hell into hell.” , Thus forming the essence of his art theory - “characteristic theory ”. As an art educator, on the premise of insisting on and defending the national painting, he found a way of sustainable development for the teaching of traditional Chinese painting and creatively transformed the traditional art education into modern art education. Based on the artistic activities of Pan Tianshou in different stages of his life, this article attempts to explore the formation and development of his “special theory” and points out the influence of his artistic thought on his art education.