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关于中国古代雕塑史论的研究 ,是20世纪一个开创性的学术领域 ,主要始于20年代初 ,兴于三四十年代 ,盛于八九十年代。地下美术考古发现极大地扩展了美术史研究的视野。中国古代雕塑的源头可上溯到八千年前查海遗址发现的陶塑动物和真玉雕刻品。近几十年来发现的红山文化大型彩塑女神像、四川广汉三星堆古蜀人青铜人像群和秦始皇陵七千兵马俑表明中国古代很早就在大型雕塑方面积累了丰富的创作经验 ,南北朝以后佛教大型造像正是本土雕塑传统与外来宗教交互融汇的产物。石窟寺艺术研究是20世纪雕塑史最富于成果的领域。对石窟寺遗址的大规模调查和考古学方法的引入使研究工作更为规范并获得坚实的基础。90年代是一个世纪以来中国雕塑史研究的梳理、总结、集大成时期 ,今后需要在前人工作的基础上更深入对中国雕塑艺术本体的研究。
The study of the history of ancient Chinese sculpture is a groundbreaking academic field in the 20th century. It started mainly in the early 1920s and flourished in the 1930s and 1940s. The discovery of underground art archeology greatly expanded the field of art history research. The origins of ancient Chinese sculpture date back to the pottery and jade carvings found at the Chahai site eight thousand years ago. In recent decades, the Hongshan Culture large-scale colorful statues of the goddess of beauty, the bronze portrait group of the ancient Shu people of the Sanxingdui in Guanghan, Sichuan and the 7,000 Terracotta Warriors of the Qin Shi Huang Mausoleum indicate that ancient China had accumulated rich experience in creating large-scale sculptures long ago. After the Northern and Southern Dynasties, Statues are the product of a fusion of native sculpture traditions and exotic religions. Cave Temple art research is the most fruitful field of sculpture history in the 20th century. The large-scale investigation of the cave temple site and the introduction of archeological methods have made the research more standardized and acquired a solid foundation. The 1990s are the sorts of research on the history of Chinese sculpture in the past century. It concludes that it is necessary to study the art of Chinese sculpture more deeply in the future based on the work of forefathers.